(September 12, 1939 – January 7, 2004) is a prominent feminist icon in the Philippine art milieu. Through her works, she accentuated different social issues that are relevant during her time, and conceivably until today. The most notable characteristics of Inday’s work, as seen in her subjects, are the way she exposes the chronic marginalization of women and toxic masculinity, both of which are embedded and explicitly evident in the culture. She also wanted to draw attention and respect to the much belittled “Inday,” which is originally a term of endearment but eventually became a patronizing word associated with house help.
Inday’s style is made expressive with the admixture of flowing lines and medley of vibrant colors. Her expression of figures and narratives are straightforward, yet intruiguing at the same time. The passionately exuberant qualities of her technique made her works still pertinent to this day as her simple, yet meaningful, depictions reflect the Philippine culture’s resiliency.
